PAP Metallic continued

I have been experimenting with different ideas to create the central feature of the piece and it is now time to make some decisions. I want to keep it simple and limit myself to (hopefully) only 3 elements.



Wire, metallic stitch on soluble fabric, glass beads and glue trails.




More stitch on soluble fabric.





Alcohol ink on acetate, shisha mirrors, even more stitch on soluble fabric!


Course Summary









Distant Stitch Diploma, Module 3, Chapter 12 - Textile Artists who use Construction Techniques

 I have chosen Jan Truman to study because to the following quote I found on her website:

“Life is never static. Movement is life. Whether it’s simple spontaneous actions or more complex patterns. We all dance to the rhythms of life.” 



Jan Truman at work

Jan has a background in textiles, having a Masters Degree in Textile Design from the Royal College of Art, London and a BA Hons in Knitwear Design from Nottingham.


She creates sculptural textiles from knitted wire which she uses to create distinctive sculptures and jewellery. I am particularly interested in her sculptures as I have always enjoyed working on 3D stitch projects. Some of her sculptures are over 2 metres high and using colour, form and changing visual effects are all key elements of her work.




Aura by Jan Truman


She is fascinated by the intricate patterns of ‘structures’, both natural and man-made. She uses traditional techniques and adds her own personal interpretation as she creates her designs. For Jan each new creation is a blend of excitement and challenge. For example, her use of light helps to intensify colour and to create shadow, adding to the visual effect, releasing the sculpture from its physical dimensions to dance around a room.


Sculpture by Jan Truman

She has used knitting techniques to create her distinctive designs, experimenting with various threads, before developing her own style of working with wire.  Her design process starts with visualising the overall structure and then working on each of the individual elements, looking at colour, shape and texture. Her designs are then made into wire ribbons and sculpted into shape. She balances movement with colour to create her inspiring pieces. 


I have 'had a go' at knitting with wire. I am not a knitter and only the the basic stitches of plain and purl. I used 2 sizes of bamboo needles, 4mm and 25 mm. I experimented with 2 sizes of wire, .4mm and 1mm diameter. I found the smaller needles were much easier to use.



Plain and purl stitch 25mm needles with 1mm wire.



Plain stitch on 25mm needles with 1mm wire.



Purl stitch on 4mm needles with .4mm wire.

I found this really hard work and my wrist and fingers were quite sore! It makes me appreciate Jan's mastery of her techniques. It has filled me with enthusiasm for practising knitting with wire and as it could tie in well with my theme of coral reefs.

Distant Stitch Diploma, Module 3, Chapter 11 - Developing an Idea for the Third Assessment Piece


Page 120

I have used this shell again for inspiration.


Page 121


I drew it in my sketchbook to help me examine the shape.
Page 122

Next, I used a series of distortion effects in Photoshop Elements. This one is called Chrome.


Page 123


This one is Zigzag

Page 124


This one is Twirl.
Page 125

This one is Distort + Wave + Randomize.




Page 126

This is Chalk and Charcoal + Wave.



Page 127

This one is Chalk and Charcoal + Wave + Photocopy.

The patterns are quite distinct and it brings to mind Klimt and Hundert-Wasser. Lots to think about.

Distant Stitch Diploma, Module 3, Chapter 10 - Folded Cut Lace

 I chose a shell that has been cut vertically as my starting point for this chapter.

Page 92



Page 93

I cut the shape out multiple time and arranged them into different designs.



Page 94



Page 95



Page 96



Page 97



Page 98

I folded the paper and used the shell as a stencil to cut out the shapes on the paper.



Page 99


The shapes formed a wonderful pattern. I then recut all the designs in acetate (A4), using a soldering iron, so that I could re-use them easily with paint.


Page 100
I used a gelliplate to create this print using the acetate stencil, repositioning it and adding more paint.


Page 101


Another print taken in a similar fashion to page 100.


Page 102

Another folded paper lace design, using the shell stencil. This was not as successful as the first design.


Page 103

I sponged acrylic paint over the acetate stencil.

Page 104

Working on half the stencil at a time, paint sponged through acetate stencil.


Page 105
Another acetate stencil using acrylic paint, then sponged with bleach over the stencil.


Page 106


I manipulated the picture in Photoshop Elements - distorted with Posterized, +Dust and Scratches.



Page 107

I think this design from a stencil was the least pleasing but I put it into PhotoShop Elements and distorted it.


Page 108

The effect used here is Stamp, quite interesting.



Page 109

I have probably used too many layers here, applying paint and bleach through the stencil and moving the stencil around the paper.


Page 110

After adding Waves + Randomised in Photoshop Elements it has suddenly been given a new lease of life.



Page 111
I think this is my favourite of all the prints I have made. It is acrylic paint and bleach, sponged through a stencil.

Page 112

Using the Fresco distortion in Photoshop Elements, I think this would make a great embroidery.


Page 113
Initially I was disappointed with this gelliplate print.


Page 114

The effect of Posterized in Photoshop Elements gave it a new dimension. I liked it so much that I printed it onto silk. Sadly the shine of the paint on paper didn't transfer particularly well onto the fabric.


Page 115


Pages 115 shows another gelliplate print.


Page 116

This shows a computer enhanced background with a printed cut shape laid over it.



Page 117

Combining page 100 and 101.



Page 118

Page 112, cut and repositioned, with negative shapes.



Page 119

Not think too much of the initial prints (pages 113 - 114), I have combined the original print with the computer enhanced one and have loosely woven them together. A vaste improvement!