Distant Stitch Diploma, Module 4, Chapter 4 - How Can a Slip Be Re-invented?

I think this shape will work well. It is simple and symmetrical. It could be used in a variety of sizes and would be easy to distort.


45

 

46
Working with ideas to attach the slip to the background fabric.


47

48

49

50

I discovered alcohol inks on acetate when I was working on PAP2, although, in the end, I didn't use them. I bought some Yupo paper, which is paper coated in a fine layer of plastic. The alcohol inks glide across the surface and dry very quickly. I accidentally got the iron too close to it and the paper reacted in a similar way to Tyvek. However, Yupo paper is more stable and less likely to disintegrate. Very interesting!!


51
I used my embellisher to create fabric and then cut it into my slip shape.



52
Both samples above are painted Yupo paper. The top sample has been cut then heated to distort it and stitched down under a wheatsheaf stitch. The lower slip is painted Yupo paper that has been machine stitched and held in place with buttons.


53
More samples of Yupo paper, stitched to felt. The lower sample is stapled in place.



54
Embellished fabric, secured with rows of machine stitching. 'Overlap' cut away to reveal background.




55
Experimenting with different methods of attaching slips.

Top left - free machine stitching
Bottom left - hand stitched French knots in varying sizes
Right - free machine stitching following the shape of the slip.